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JOFFREY EXPERIENCE

08/14/17 – 08/25/17
(1 - 2 Week Sessions)

Ages 14 – 25
The Joffrey Experience is an All-Contemporary summer intensive that includes both Ballet and Modern Contemporary styles. The emphasis of this intensive is to define Contemporary Dance in the 21st Century through study, creation, and performance, all done within two intensive weeks of classes and rehearsals.

The dancers morning begins with Contemporary Ballet or Contemporary Modern which is followed by whichever style they didn’t have first. After lunch, the dancers will have a repertory class (the teacher will teach repertory of their choosing or create new movement ideas on the dancers), and they will continue the creative process in a rehearsal for the show. The class sizes are small and intimate allowing for one on one direction and communication with each teaching artist.

The choreographers are successful New York-based artists who are identified by their unique contemporary styles, and by their critical success as contemporary dance teachers.

After an intensive two weeks of study, and the process of creating an original work, the dancers manifest their efforts on the stage. The final show is on the last Friday of the intensive at the Gelsey Kirkland Arts Center, located in the DUMBO neighborhood of Brooklyn.

Tuition

$1299 per week

Tuition Due at Registration: $300

Tuition Balance Deadline: May 1st

Registration Fee: $99

Housing

$499 per week

Housing Due at Registration: $250

Housing Balance Deadline: April 1st

Meal Plan

$275 per week

Meal Plan Due at Registration: 50%

Prices include food & beverages plus sales tax.

Meal Plan Balance Deadline: May 1st

Chaperone Fee

$250 per dancer

Due April 1st
Required for ages 13 and under in housing
(Optional for dancers ages 14+ in housing)

1-2 Weeks: $250

Resident Fee

$125 per dancer

Due April 1st

Required for all dancers in housing

1-2 Weeks: $125

Performance Fee

$75 one time fee

Due May 1st $75

Be a part of the Joffrey Experience Finale Performance.

Must attend Weeks 1 and 2.

2.5% Processing Fee

For all transactions, a 2.5% processing fee will be applied. Half of processing fee will be due upon registration, other half will be charged on May 1st for final tuition payment.

Joffrey FAQ's

Some of the most common camp questions are answered on the below FAQ.

For more detailed information about our summer dance camps, feel free to check out the following links. Please look this over, and if you still have a question, don’t hesitate to email us at support@joffreyballetschool.com. Our offices are open from 9 am to 6 pm CST.

Housing, Studio & Meal FAQ's

850west

850 West End Avenue, New York, NY 10025

The West End dormitory resides on the Upper West Side, a short ride on the express train from all studio locations. Located between 101 and 102nd St, the dormitory was recently renovated in the summer of 2014.


33 Beekman St, New York, NY 10083

The PACE Dormitory Residence Hall brings customized, first rate amenities to the heart of New York City’s Financial District. Each floor is staffed with a Resident Advisor.

10 years of age or older to be in Joffrey Ballet School housing. Students under 10 years of age that require housing should attend our Joffrey South Intensive.

850 West End

This residence has double and triple occupancy rooms equipped with:

  • Front Desk Staff Present 24/7
  • Bed style: Twin XL, bunked
  • Each bedroom will be furnished with a bed(s), dresser(s), and kitchenette.
  • Wifi
  • A kitchenette
  • Personal thermostat in each apartment.

Pace Housing

  • Bed Style: Twin XL; some rooms have a loft bed.
  • Pace University Security monitors the building 24/7
  • Microwave, refrigerator, cable TV, Wi-Fi, and air-conditioning unit in each room.
  • Window blinds provided

We will do our best to honor roommate requests that are completed and remain within the established guidelines.

A dancer may request up to a maximum of three roommates for a total of four dancers in a chain. Please note that all roommate requests must be completed by both sets of parents, at least fourteen days prior to arrival.

Please note that confirmed roommates will be in the same room, but we are unable to accommodate requests for a bunk assignment near another dancer. Dancers are assigned their beds by their Resident Assistants based on numerous factors including medical conditions, sleepwalking, etc. and these assignments may not be changed during the arrival process.

The Joffrey Ballet School is proud to partner with Pace Cafeteria and Panera that serves two hearty kid-friendly meals per day. Enjoy breakfast burritos with veggies, sausage, pepper jack cheese, tomatoes, trail mix with dried fruit, and mixed nuts on the side. Imagine a wonderful grilled herbed chicken breast, a flavor-filled soba noodle salad with edamame and cucumber relish, bok choy, carrot ginger dressing, accompanied by a side of watermelon. The food is delicious and healthy–perfect for the developing dancer. We care about you and your child and have worked very hard to partner with the best food providers in the NYC area.

Pace students will eat at the Pace University Cafeteria

Students in all other building will have their meals catered by Panera.

The Joffrey Ballet School has setup a very simple and orderly housing check in and check out process. Please drop off your dancer Sunday from 12:00 PM to 4:00 PM. When picking up your happy dancer please assist your child to be packed and on their way home prior to 12:00 PM Saturday. Please note after check-in that evening the dancers will have a mandatory orientation.

Orientation and arrival times depend on whether or not you will be staying in our housing facilities. Please check the Orientation Times section for full details. Please join us Monday morning at the start of your intensive for the opportunity to meet the JBS Staff and review your schedules.

What to Bring
Your room will fill up quickly; please bring only what you need. Also, keep in mind that items can
be purchased upon arrival at nearby stores.

  1. Bedding: Twin XL Sheets, Blankets, Pillows
  2. Bathroom Essentials: Towels, Shower shoes, hair dryer
  3. Toiletries: Toilet Paper, hand soap, shampoo, body wash, deodorant, toothbrush,
    toothpaste, and other personal toiletry items.
  4. Dance Attire: Dance clothes, shoes, and other related supplies.
  5. Recreational clothes: jeans, t-shirts, swimsuit, sandals, etc.
  6. Electronics: Alarm Clock. Computers, iPods, iPads, and other valuables at your own
    discretion. All dorms are Wi-Fi equipped. Don’t forget to bring the chargers!
  7. Cell Phone: Every student is required to bring or purchase upon arrival, a personal mobile phone. This phone number must be provided to the RAs upon arrival. Students should download Google Maps and Embark NYC.

What Not to Bring
The following items are prohibited in Joffrey housing and may be confiscated if found in your
room.

  1. Toasters, toaster ovens, coffeemaker, or any outside cooking appliance not provided by JBS.
  2. Candles or incense
  3. Space Heaters
  4. Halogen lights
  5. Pets of any kind
  6. Alcohol
  7. Anything that produces a flame/spark, fireworks, sparklers.
  8. When not in use, lighters for your pointe shoes MUST remain in your dance bag.
  9. Drugs, tobacco, including eCigarettes; illegal substances of any nature

There is a Lost and Found table set-up during check-out on Saturday. Please check this section for any misplaced items before you leave. If you realize that you did not make it home with an item, please call Customer Service at +1 888.438.3808 and leave a message describing the missing item(s). All claimed items will be returned C.O.D. Items will be held for two weeks, and after that time they will be donated to charity. Please label all items and make sure that you have all your belongings before leaving. JBS is not responsible for lost or broken items.

Other FAQ's

We provide a professionally choreographed performance for all dancers attending the last weeks of the intensive. Be sure to attend the last two or three weeks of the intensive to participate in this life changing event.

Date: Friday, August 25, 2017 | Time: 6pm
Location: To Be Announced

We know you are anxious to find out everything you need to know to prepare for your intensive(s) and we cannot wait to share all the details! All dancers are required to complete our Online Pre-Check In form prior to arrival. All dancers will need to DocuSign their Pre-Check In packet, print and bring it with them to orientation/housing check in.

This document lists the most important housing policies. Please refer to the housing manual of your assigned facility for a complete list of rules, policies, and procedures.

Joffrey Ballet School offers transportation to and from the airport. Our service is significantly more expensive than taking a New York City taxi, so if your dancer feels comfortable taking a taxi, we encourage them to do so. Below is an outline of fees and reflect the price one way. The cost includes tolls and driver’s tip.

Transportation to JFK, LGA, and EWR airports $150

Transportation for all international flights $200

If your student is flying as an Unaccompanied Minor through the airline (and you have already paid the Unaccompanied Minor fee through your airline), please contact:

JBS NYC Airport Transportation Coordinator

(transportation@joffreyballetschool.com)

Joffrey Ballet School can only provide a chaperone to the gate if it is required by the airline. There is an additional $150 fee for this service.

Non-Refundable Tuition and Other Fees

It is the policy of the Center for American Dance / Joffrey Ballet School that all tuition and other fees paid shall not be refunded at any time, regardless of the time of cancellation by the student or student’s parents or guardians or whether the relevant program has commenced. In the event that the relevant program has been cancelled by the Center for American Dance / Joffrey Ballet School, the School will make best efforts to move the student into a substantially similar program; in the event that no such substantially similar program exists, the School will issue a full refund.
In some instances we are able to offer a credit towards a future Joffrey program. The Registration Fee, All Deposits, and all Processing Fees are non-refundable and will be forfeited.
Prior to May 1st, a credit for any remaining tuition and some additional payments may be placed in the dancer’s name to be used the following summer.
After May 1st, all payments are non-refundable unless due to injury or illness certified by a Dr’s. note. A partial credit may be used towards next summer at Joffrey Ballet School’s Discretion.

The Joffrey Ballet School prides itself in taking photos of the dancers that represent their superb experience and will utilize the photos for its website and or marketing and advertising purposes. Dancers and parents are welcome to take photos of the dance experience. When attending the program you consent to the use of your photography in our website and marketing materials.

We have taken great care in providing superb and exciting weekend and after class activities. Please see our activities page for details.

Joffrey Ballet School
434 Avenue of the Americas, New York, NY 10011
Between 9th and 10th Streets.
3rd, 4th and 5th Floor

Joffrey Dance Center
47-10 Austell Place, Long Island City, NY 11101

Pearl Studios
500 8th Avenue, New York, NY 10018

Note: Please see your Weekly Schedule’s studio assignment for your exact location

You will be emailed a link to your dance schedule. You will receive it a week before your session starts.

Sample Schedule

Daily Schedule

Contemporary
9:00AM – 10:30AM

Contemporary Ballet
10:45AM – 12:15AM

Repertory
1:15PM – 2:45PM

Rehearsal
3:00PM – 5:00PM

Employment

Interns assist the Joffrey Ballet School in the administration of the summer programs. This is a tremendous learning experience. Be ready to work hard and long hours. Interns MUST HAVE AN ATTITUDE OF GRATITUDE! The Joffrey Ballet School is seeking hard-working, ethical, caring, organized, teamwork minded, detail-oriented individuals interested in perusing a career in Arts Administration. Interns would gain valuable experience working within an office environment, assisting with daily operations of the school’s variety of summer programs and supporting the administrative staff with customer assistance.

Joffrey Ballet School seeks hard working and enthusiastic individuals for Head Resident Advisors in New York City, Dallas, San Francisco, and Athens. This is a temporary, full-time position, with live-in and on-call responsibilities. The Head RA is responsible for supervising housing staff and students who are residing in their assigned dormitory during the summer school session. The Head RA will organize transportation of students to and from the dormitory and Joffrey studio locations and activities. The Head RA will organize and supervise staff schedules and work assignments in the dormitory. The Head RA will ensure that all staff schedules, policies, transportation schedules, major disciplinary decisions and scheduled staff meetings are presented to the Director of Resident Life for review and approval. The Head RA will be responsible for communication between their assigned dormitory and Joffrey administrative staff, faculty, students, and parents.

The Resident Assistant (RA) is responsible for assisting students who are staying at Joffrey Ballet School during the summer school session. The Resident Assistant helps dancers feel at home in housing, organize fun activities, problem solve, ensure dancers are following the rules. RAs will also collaborate with the Joffrey administration to ensure the well-being of all residents. Applicants must be able to work within the artistic culture of Joffrey, have the ability to give and receive constructive feedback, be able to problem solve, have excellent verbal and written communication, and have good organizational and analytical skills.
Dance and Residence Life experience preferred. We background check each applicant to ensure the safety of our dancers. Joffrey Ballet School seeks enthusiastic and hard working individuals for several Resident Advisor (RA) positions in New York City, LA, Dallas, San Francisco and Athens. This is a temporary, full-time position with live-in and on-call responsibilities. The RAs report to the Head RA. The RAs manage the daily operations of the Residence Halls and maintain an active leadership role to cultivate a positive and supportive community to the residents. The RAs serve as a role model and resource to students by assisting in artistic and personal growth.

Joffrey Ballet School seeks enthusiastic individuals for several Chaperone positions in New York City, Dallas, LA, San Francisco, Miami, and Athens. This is a temporary, full-time position with live-in and on-call responsibilities. A Chaperone is responsible for supervising 6-8 students ages 12 to 14. Their primary responsibility is babysitting the younger students, including maintaining an evening schedule/bedtime, morning routine, cleaning schedule, and enforcing the rules in the dormitory. Chaperones work with Head Chaperone to ensure that these students are supervised to and from classes, during lunch, on activities, shopping and in the dormitory. Chaperone ensures that students are safe at all times, eating responsibly, and adjusting to housing at JBS.
Applicants must be able to work within the artistic culture of Joffrey, have the ability to give and receive constructive feedback, be able to problem solve, have excellent verbal and written communication, and have good organizational and analytical skills. Dance experience preferred.

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Artistic Director of Jazz & Contemporary Program

Michael Blake

Also directing: NYC Jazz Intensive, Joffrey Experience NYC Intensive and Musical Theater LA, and a NYC Ballet Instructor.

Michael Blake holds an MFA in dance from Purchase College, and a 2010 Besse Award for Dance and Performance. He began his dance career in the Murray Louis Dance Company where he danced from 1982-1984. In 1986 he joined the Jose Limon Dance Company, dancing principal roles until 1991. Michael danced with Donald Byrd/The Group from 1991-1998. He has also danced with PARADIGM Dance, Joyce Trisler Danscompany, Shapiro and Smith, and Janis Brenner and Friends. He has appeared on stage at the Supper Club, NYC, national tour of JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, toured with Cab Calloway in Cab Calloway’s Cotton Club Review, and danced in the films THE ADVENTURES OF CRI CRI (Murray Louis), and UNSETTLED DREAMS (Donald Byrd). He has taught numerous workshops both nationally and internationally. Michael is Director of the Jazz and Contemporary Program at the Joffrey Ballet School, NYC.

Artistic Director of the Joffrey Southwest Dallas

Desmond Richardson

Also directing: Complexions Contemporary Ballet, as well as instructing in the Joffrey Experience, and NYC Ballet Intensive.

Hailed by the New York Times as “one of the great modern dancers of his time”, Desmond Richardson is a multi talent artist who has mastered a wide range of dance forms including classical, modern, and contemporary. Richardson’s immense talent was first recognized as a student at New York High School for the Performing Arts during which time he received a merit scholarship from the Alvin Ailey American Dance Center (1983-1986) and the International Academie des Tanz in Koln, Germany (1984-1985). He is also a recipient of a Presidential Scholar Award for the Arts (1986).

In 1987, Richardson joined the Alvin Ailey American Dance Theater where he was a principal dancer for seven years. After leaving the Ailey Company, he traveled to Germany where he performed with Ballet Frankfurt. Richardson has performed as a guest artist with several world-renowned companies including the Swedish Opera Ballet, the Washington Ballet, Teatro at La Scala, and the San Francisco Ballet.

In 1997, he joined the American Ballet Theater where he performed the lead role in the company’s world premiere of Othello. Following his performance, the New York Times described him as “one of the most majestic dancers ever to tread the MET Stage.”

In 1998, Richardson joined the premiere cast of the Broadway Musical Fosse for which he received a 1999 Tony Award Nomination. He has also appeared on Broadway in the musical, the Look of Love and the critically acclaimed Movin’ Out. He had a principal role in Debbie Allen’s theatrical presentation, Soul Possessed, which premiered at the John F. Kennedy Center for the Performing Arts in 1999.

Richardson has worked in television, film, and video in the United States and abroad. These experiences have allowed him to perform with musical artists such as Michael Jackson, Prince, Aretha Franklin, and Madonna. He is featured in Patrick Swayze and Lisa Niemi’s film, One Last Dance and the Oscar winning Chicago. He made his singing debut in Charles Randolph Wright’s 2005 film, Preaching to the Choir and performed the lead role of Beowulf in Julie Taymor’s Grendel at the LA Opera as well as in Taymor’s film, Across the Universe. He recently performed as a guest artist on So You Think You Can Dance in Australia and the United States.

Desmond Richardson is the Artistic Director and co-founder of the extraordinary Complexions Contemporary Ballet Company.

NYC Ballet Intensive Instructor

Mia Michaels

From the screen to the stage, Mia has transformed dance into inspired and unique works of passion and beauty. This year will mark a highly anticipated stage venture that will propel this multiple Emmy award winner to even further heights as one of our most sought after innovators, not only in the world of dance, but in the entire entertainment industry.

In 2015, Mia joined forces as choreographer with dream team Harvey Weinstein, Diane Paulus, and Barry Weissler for the hugely successful Broadway musical FINDING NEVERLAND. She choreographed a special preview of the song, “Neverland” for the 68th Tony Awards featuring Academy Award winner Jennifer Hudson, as well as served as guest choreographer of the opening number for the Rockettes Spring Spectacular at Radio City Music Hall and as guest artist and mentor at Broadway at the White House hosted by Michelle Obama, Kristen Chenoweth, and Matthew Morrison.

Mia has served as the ever-popular judge and contributing choreographer for Fox’s award winning hit TV show “So You Think You Can Dance” (SYTYCD). Not only has Mia won three Emmy awards for Outstanding Choreography for her work on SYTYD, but her role in SYTYCD contributed to the show receiving the “Best Reality TV Show” award at the 2008 Reality TV Show Awards. Additionally, her brilliant choreography and huge fan-base in Canada has led her to share her talents for a reoccurring role as judge and guest choreographer with SYTYCD Canada for the entirety of the four year series. Mia also directed and choreographed a dream sequence with Hugh Laurie for the hit television show, HOUSE MD, entitled “Get Happy.”

Mia’s choreography was showcased when she reunited with her SYTYCD judge alumnus, Adam Shankman, in the big screen adaptation of the hit Broadway musical, ROCK OF AGES. Her moves were showcased by the star-studded cast, which includes Tom Cruise, Julianne Hough, Alec Baldwin, Russell Brand and Catherine Zeta-Jones. She followed that with a co-starring role in Summit Entertainment’s STEP UP 4.

She directed and choreographed Blake McGrath’s Relax video, which was nominated for Video of the Year at the 2011 MuchMusic Video Awards. Other work in film and television includes: “Cool Women” for AMC/DreamWorks Television, and award winning commercials for Mike’s Hard Lemonade, Bacardi, Coldwell Banker, Ziploc, the WNBA, Star TV and VISA.

Mia choreographed the most notable Celine Dion show, A New Day, which played at Caesars Palace in Las Vegas for over five years and received stunning reviews. The New York Times raved, “The greatest pleasure…was the go for-broke physicality of the choreography”. The show featured a cast of 50 dancers with two hours of pure dance artistry. Other shows featuring Mia’s choreography include Celine Dion’s world Tour, Taking Chances and Cirque du Soleil’s first touring show, Delirium, which premiered in March 2006. She has also created works for numerous recording artists including Madonna, Ricky Martin, Gloria Estefan, Anna Vissi, and Prince.

Mia’s dedication to the art of dance naturally carries a presence in the dance concert arena. Included in her diverse concert and stage work was the critically acclaimed New York based dance company, RAW, for which she was the founder, artistic director, and choreographer; the Paper Mill Playhouse’s production of “Hello Dolly!” starring Tovah Feldshuh; Les Ballet Jazz de Montreal; and Jazz Dance Chicago. Recently, Mia was honored with the prestigious Tom Adams award for her dedication to TITAS and the arts. The La Fete du Ballet chairs, Ambassador Ron Kirk and Matrice Ellis-Kirk, presented the award.

Mia’s expertise in the area of dance has made her a highly sought after guest instructor and choreographer worldwide. She has held faculty positions at prestigious institutions of dance around the world including Alvin Ailey, the Joffrey Ballet, and International Dance Festivals all over the world. Mia continues to teach inspirational master classes worldwide. Every year Mia is on faculty for the Jump International Tour with Break the Floor Productions for 100,000 aspiring dancers. This dynamic and unique weekend dance event features the top choreographers and instructors within the dance industry. Her students and peers around the world have noted her as a memorable influence. She has a way of touching people’s lives with passion, emotional expression and style of dance.

Mia is currently working on writing a book, which will be a memoir that will certainly inspire dance professionals and fans throughout the world.

NYC Ballet Intensive Instructor

Dwight Rhoden

Founding Artistic Director/Resident Choreographer of Complexions Contemporary Ballet

Dwight has established a remarkably wide-ranging career, earning distinction from The New York Times as “one of the most sought out choreographers of the day.” A native of Dayton, Ohio who began dancing at age 17, Rhoden has performed with Dayton Contemporary Dance Company, Les Ballet Jazz De Montreal and as a principal dancer with Alvin Ailey American Dance Theater. As a performer, he has appeared in numerous television specials, documentaries and commercials throughout the United States, Canada and Europe and has been a featured performer on many PBS “Great Performances” specials.

In 1994, Rhoden and legendary dancer Desmond Richardson founded Complexions Contemporary Ballet. Together they have brought their unique brand of contemporary dance to the world for nearly 2 decades. CCB is widely considered as “America’s Original Multicultural Dance Company”, and is celebrated for its pioneering spirit, and the building of a universal brand that continues to challenge traditional ideas, and redefine possibilities in the dance arena.
Under Rhoden’s direction, Complexions has become a dance institution that is much in demand. Leading the way, as a destination for innovation through courageous and cutting edge programming, Complexions has become a force to be reckoned with. Over the years, Complexions has remained consistent in delivering a profound passion for diversity, that has framed its vision and become its hallmark.

For nearly 2 decades, Rhoden’s choreography has been the lynchpin in the development of the Complexions repertory. For over 18 years, Rhodens’ work has filled some of the most prestigious theaters across the globe including, The Joyce Theater,(NYC) The Bolshoi Theater, (Moscow) The Marinsky Theater,(St Petersburg) Maison De La Danse, (Lyon) The Dorothy Chandler Pavilion,(Los Angeles) BAM,(Brooklyn) Cairo Opera House (Egypt) The Arts Center, (Melbourne Australia) The Auditorium Theater,(Chicago)Telaviv Opera House (Israel) The ASB Theater, (New Zealand) Holland Dance Festival, Grand Theatre De Geneva (Switzerland) Isle De Dance Festival (Paris) to name a few. CCB and Rhodens’ work has been presented on 5 continents and in over 20 countries – including the USA, Canada, South America, Mexico, Europe, Asia, Poland, Australia, New Zealand, Russia, The Baltic Region, Egypt, Israel, and the Middle East. “Musicality, innovation, purpose, consistency, a brilliant use of stage space and the ability to tell a story — all these qualities make him (Rhoden) one of today’s elect choreographers. (The LA Times)

Since 1994, Rhoden has created over 80 ballets for Complexions, as well as numerous other companies, including Alvin Ailey American Dance Theater, The Arizona Ballet, The Aspen Santa Fe Ballet Company, BalletMet, The Dance Theater of Harlem, Colorado Ballet, Dayton Contemporary Dance Company, The Joffrey Ballet, Miami City Ballet, New York City Ballet/Diamond Project, North Carolina Dance Theater, The Pennsylvania Ballet, Philadanco, Marinsky Ballet (Kirov), Minneapolis Dance Theater, Phoenix Dance Company, Sacramento Ballet, Oakland Ballet, Pittsburgh Ballet Theater, The Washington Ballet, and Zenon Dance Company, amongst others. Mr Rhodens’ has also directed and choreographed for TV, film, theater and live performances including So You Think You Can Dance, E! Entertainment’s “Tribute to Style” , Amici, and Cirque Du Soleil’s Zumanity, and choreographed and appeared in the feature film “One Last Dance”. He has also worked with, and/or created works for such high-profile artists as Prince, Lenny Kravitz, Kelly Clarkson, ELEW, David Rozenblatt, Nicholas Payton, The Drifters, Paul Simon, Billy Strayhorn, Nina Simone, Marvin Gaye, U2, The Turtle Creek Chorus, and Patrick Swayze. Rhoden was also recently commissioned to create a work for the centennial celebration of reknowned collage artist Romare Bearden. “Rhoden’s work is post-Balanchinean choreography,a new aesthetic in movement, stage, picture, and performance concepts reflecting a post-modern, techno-savvy worldview” (Dance Magazine).

Widely known as “a dancer’s choreographer,” Rhoden has worked with, coached and created for some of the most diverse artists spanning the worlds of ballet and contemporary dance including legendary dance artists Carmen De Lavallade, Wendy Whelan, Maria Kowroski, Diana Vishneva, Desmond Richardson, Sandra Brown, Jodie Gates, and Gus Solomons, to name a few. Mr.Rhoden is the Resident Choreographer of North Carolina Dance Theatre and has lectured, taught, created works for and served as Artist in Residence at universities around the United States including New York University, Juilliard, UC Irvine, Skidmore College and The University of Mississippi, where his 2004 Racial Reconciliation Project was credited as a catalyst for dialogue in a community that has been historically divided.

Rhoden is a beneficiary recipient of various honors and awards including the New York Foundation for the Arts Award, The Choo San Goh Award for Choreography, and The Ailey School’s Apex Award in recognition of his extensive contributions to the field of dance.

Jae Man Joo

He was a Principle dancer at Complexions Contemporary Ballet and Ballet Hispanico. He Is A Recipient Of Princess Grace Award For Excellence In Choreography in 2009. He Was the The Associate Artistic Director of Complexions Contemporary Ballet where he direct & teach the company and also performed for past 15 years. Joo Started Classical Ballet Training In Kwang-Ju, Korea Where He Was Born And Raised. In 1996, He Received The Best Individual Artist Award From The Bagnolet International Dance Festival in Paris, France. He worked with Ballet Hispanico, Complexions Contemporary Ballet, Shen Wei, Zvi Gotheiner, Igal Perry, Jessica Lang, Michel Elliman and More. He Choreographed “Sorrow” (Frank Schubert) At DTW IN 2004. “Duet” (Jules Massenet) 2006 Korean Dance Museum invitation. He was a In-House Choreographer for Complexions contemporary Ballet. He choreographed “TEARS” (Sergei Rachmaninoff) in 2007, “SURFACE” (Claude Debussy) in 2008, “Atmosphere”(J.S.Bach) in 2009, ”Flight” (J.S Bach) in 2012 All works premiered at Joyce theater NYC. And in 2013 Joo premiered a sensitive approach & visual focused his first full length Act work ”Recur”(Max Richter, Silverstrov ) commissioned by Complexions Contemporary Ballet, Which World Premiered at Aram Opera House in Korea, and NY Premiere at the Joyce Theater. “Recur” performed in national and international 2014 tour including ‘BALLET OPEN’ Festival in St.Petersburg, Russia. In 2015 Joo Premiered “Beautiful Imperfection” (Nyman, Montero) Commissioned by Marymount Manhattan College Dance Spring Concert. In 2015 Alvin Ailey School / Fordham BFA Commissioned & Performed His Creation “Into The Light” Music Of Antonio Vivaldi, in 2016 He restaged “Into the Light” for Igal Perry’s Peridance Contemporary dance company. Recently He finished create a New Work “Circular” (Denison, Handel) for AILEY II company. which will be world premiered in OCT 2016.

Complexions Contemporary Ballet Faculty

Complexions was founded in 1994 by Master Choreographer Dwight Rhoden and the legendary Desmond Richardson with a singular approach to reinventing dance through a groundbreaking mix of methods, styles and cultures. Today, Complexions represents one of the most recognized and respected performing arts brands in the World. Having presented an entirely new and exciting vision of human movement on 5-continents, over 20-countries, to over 20-million television viewers and to well over 300,000 people in live audiences, Complexions is poised to continue its mission of bring unity to the world one dance at a time.

Complexions has received numerous awards including The New York Times Critics’ Choice Award. It has appeared throughout the US, including the Joyce Theater/NY, Lincoln Center/NY, Brooklyn Academy of Music/NY, Mahalia Jackson Theater for the Performing Arts/New Orleans, Paramount Theatre/Seattle, The Music Center/Los Angeles, Winspear Opera House/Dallas, Cutler Majestic Theater/Boston, New Victory Theater/NY, and Music Hall/Detroit, The Bolshoi Theater, The Kremlin, The Mikhailovsky Theater, Melbourne Arts Center, and will make it’s debut at the Kennedy Center in 2017, as a part of Ballet Across America.

The Company has appeared at major European dance festivals including Italy’s Festival of Dance ,the Isle De Dance Festival in Paris, the Maison De La Dance Festival in Lyon, the Holland Dance Festival, Steps International Dance Festival in Switzerland, Łódź Biennale, Warsaw Ballet Festival, Kraków Spring Ballet Festival, the Dance Festival of Canary Islands/Spain, and the Festival des Arts de Saint-Sauveur/Canada. In addition Complexions has toured extensively throughout the Baltic Regions, Korea, Brazil, Japan, Egypt, Israel, Russia, New Zealand, Bermuda, Serbia, Jamaica, and Australia.

The company’s foremost innovation is that dance should be about removing boundaries, not reinforcing them. Whether it be the limiting traditions of a single style, period, venue, or culture, Complexions transcends them all, creating an open, continually evolving form of dance that reflects the movement of our world—and all its constituent cultures—as an interrelated whole.

In 2006, Complexions held their first Summer Intensive program, serving 80 students in its first year. The program has grown to multiple cities and serves over up to 600 students annually. Since 2009, a Winter Intensive was added to the roster, serving an additional 400 students, and CCB added its Pre- Professional Program in 2016. Complexions’ artistic directors and company members teach master classes throughout the world, sharing the Complexions technique with dancers of all levels.

Together, Rhoden and Richardson have created in Complexions an institution that embodies its historical moment, a sanctuary where those passionate about dance can celebrate its past while simultaneously building its future. In the 23 years since its inception, the company has born witness to a world that is becoming more fluid, more changeable, and more culturally interconnected than ever before—in other words, a world that is becoming more and more like Complexions itself.

Manuel Vignoulle

Manuel Vignoulle, French choreographer based in New York, studied at The Conservatoire National Supérieur de Danse de Paris and went on to work with different French contemporary companies including Claude Brumachon, Corinne Lanselle and Bernardo Montet.

He was a dance artist with both Ballet du Grand Théâtre de Genève (Switzerland) and Cedar Lake Contemporary Ballet (New York) where he worked with inspiring choreographers such as Sidi Larbi Cherkaoui, Andonis Foniadalkis. Hofesh Shechter, Cisco Aznar, Ohad Naharin, Jo Strongen, Didy Veldman, Carolyn Carlson, Benjamin Millepied, Alexander Eckman, Annabelle Lopez Ochoa, Malou Airaudo and Benoit-Swan Pouffer among others.

Manuel appeared as a guest for La La La Human Steps (Canada), Het Nationale Ballet (Netherland), State Theatre (South Africa) and The Forsythe Company (Germany).

He has also been an assistant to modern-jazz choreographer, Redha, on various productions. Such productions include concert dance, television, film, fashion, musical theater and operas in which he often performed in.

Manuel’s work, performed in France, Switzerland, Germany, Israel, Mexico, Brazil, Canada and USA, has been commissioned by Ailey II, Whim W’Him, Satellite Collective, 10 Hairy Legs, Chicago Repertory Ballet, Peridance Contemporary Ballet Company, Steps Repertoire Ensemble, Periapsis Music & Dance, The Ailey School, Rutgers University, Springboard and Antigel Festival.

He has performed his work with Manuel Vignoulle – M/motions at Jacob’s Pillow, Fire Island Festival, Bryant Park (New York), APAP, Booking Dance Festival, Monterrey International Ballet Gala (Mexico), The Dance Gallery Festival, WestFest, Pushing Progress Showcase Series and Latin Choreographers Festival.

Doug Elkins

Doug Elkins is a two-time New York Dance and Performance (Bessie) Award-winning choreographer and 2012 John Simon Guggenheim Memorial Foundation Creative Arts Fellow. He began his dance career as a B-Boy, touring the world with break dance groups New York Dance Express and Magnificent Force, among others. Elkins is a recipient of significant choreographic commissions and awards from the NEA, The Yard on Martha’s Vineyard (Paul Taylor Fellowship, 1991, and Resident Artist, 2011-2013), NEFA/National Dance Project, Jacob’s Pillow Dance Festival, The Joyce Theater Foundation, Arnhold Foundation, Dianne & Daniel Vapnek Family Fund, National Performance Network, Jerome Foundation, Choo-San Goh & H. Robert Magee Foundation, Arts International, The Greenwall Foundation, and The Foundation for Contemporary Performance Arts.  He has received a Brandeis University Creative Arts Medal, sharing the stage with author Philip Roth and photographer Nan Goldin (1994); the Martha Hill Award for Career Achievement (NYC, 2006); and an Elliot Norton Award for Choreography (Boston, 2010).

Elkins has taught and choreographed extensively in the US and Europe and has created original work for Israel’s Batsheva Dance Company, Flying Karamazov Brothers, MaggioDanza, Pennsylvania Ballet, Union Dance and CanDoCo of London, as well as a number of university dance companies and the renowned Mini & Maxi of Holland. For the 2016 season at Lincoln Center, he was commissioned to create new work for Paul Taylor’s American Modern Dance [The Weight of Smoke, praised by The New York Times’ Alastair Macaulay: “Not only did this closing section give us a view of Mr. Elkins at his liveliest — with strong elements of club/disco dancing and impish comedy, rhythmically exuberant — but it was also the first important gift to these remarkable dancers that the company has had in years, showing all of them in new lights”]. Two new works for his own company – a short film titled A Hundred Indecisions, and a dance for five performers titled O, round desire – have been commissioned by The Office of Arts & Cultural Programming of Montclair State University for world premiere there in April 2017.

Work in theater includes collaborations with Joanne Akalaitis and Philip Glass, Robert Woodruff, Pavel Dubrusky, Jonathan Larson, Molly Smith, Craig Lucas, David Henry Hwang, Barbara Karger and Michael Preston (including Fräulein Maria), Anne Kauffman, Arin Arbus, Andrew Eggert for Gotham Opera, and, most recently János Szász for The Master & Margarita at Bard SummerScape.  A graduate of SUNY/Purchase, Elkins received his MFA in Dance from Hollins University/ADF in 2007. His tenure at The Beacon School on the upper west side of Manhattan is the subject of Where the Dance Is, a short film by Marta Renzi.  In fall 2013, he became a full-time faculty member at Mason Gross School of the Arts at Rutgers University, the State University of New Jersey. www.dougelkinschoreography.com

Allyne Gartrell

A native of Atlanta, GA, Gartrell brings twenty five years of experience to the art of dance. A graduate of the Dekalb Center for the Performing Arts in Atlanta. Allyne also attended Florida A&M University and Florida State University where he excelled in Instrumental Music and Dance. As a dancer, Allyne has worked with Joel Hall Dance Theater, Ballet Wisconsin, City Ballet Theatre and for seven years he was one of the Lead Male Dancers for the Internationally known Dayton Contemporary Dance Company, where he served as Company Instructor and Rehearsal Director for DCDC II. While at DCDC, Allyne performed ballets of Alvin Ailey, Donald McKayle, Talley Beatty, Ulysses Dove, and Donald Byrd to name a few. His Broadway credits include; the Wiz, A Chorus Line, Sophisticated Ladies, and his most notable performance as Crown in the National Touring Production of Porgy & Bess. Allyne also served as Assistant to the Tony Award Winning Choreographer Hope Clark for the production of Porgy & Bess which premiered at the Kennedy Center for the Arts.
Over the past two decade Allyne has worked as Principal Male Dancer, Rehearsal Director and Resident Choreographer for the Dallas Black Dance Thaetre. In 2006, Allyne became Director of DBDT II, Dallas Black Dance Theatre’s2nd Touring Company. Under his direction DBDT II elevated its artistic value and was able to establish a National Touring Season. Collaborations with the Allen Civic Orchestra in Peter & the wolf and the Dallas Symphony in Carnival of the Animals became staples of the Season! Allyne is a  highly recognized Master Dance Instructor in the country-known for his high energy, & physically demanding ALLYNISM and Contemporary Ballet Classes. His pulsating choreography has been featured on several dance companies and Universities including, Dallas Black Dance Theatre, DBDT II, Milwaukee Dance Connection, Dayton Contemporary Dance Company, Morgan State University, Spelman College, City College of San Francisco, and Grambling State University. In 2006 Allyne choreographed Primary Movements; a Contemporary ballet in collaboration with the Dallas Symphony Orchestra, with original scoring by classical composer Jonathan Bailey Holland. Primary Movements became the official kick-off for Dallas Black Dance Theatre’s 30th Anniversary Celebration.
In 2010, The ATLANTA DANCE CONNECTION, Atlanta’s Premiere Contemporary Dance Company, under the direction of Mr Gartrell made it’s debut in Georgia.  Addressing the need for an artistic outlet for young artist, the CONNECTION’S mission is to present quality art, entertainment and education in the field of Concert Dance. In 2004 Allyne was recognized for his contribution at risk youth in the mid-west by Senator Russ Fiengold, and was awarded the 2004 AKA Trail Blazer Award for Outstanding Community Service. Currently Allyne is a member of the International Association of Blacks in Dance, Atlanta African American Dance Community , and for the past fifteen years he has serves as Scholarship Chairman for the Black College Dance Exchange, a coalition of Historically Black Colleges and Universities. Allyne is the recipient of the 2009 Presidential Edition of Who’s Who in the Arts, awarded the Dallas Black Dance Theatre 2009 Artist Award, and in December of 2009 Allyne was featured in Dallas Modern Luxury Magazine as one of The New Iconoclasts for 2010. Under Allyne’s leadership the ATLANTA DANEC CONNCETION has taken its place as one of the leading professional dance companies in the SOUTH! In 2011 the company received the Outstanding Community Partner Award for Dance Education and the 2011 Phoenix Award presented by Mayor Kasim Reed of Atlanta. In celebration of 5 Years of Artistic Excellence, May 22, 2015 was Proclaimed ATLANTA DANCE CONNECTION DAY by the Atlanta City Council!

Joffrey Experience Instructor

Terk Waters

Terk Waters began his training at the age of 17 with Tony Calucci at the Dance Extension in Columbus, OH.

He received his BFA in dance from Western Michigan University where he performed in works by Antony Tudor, Frank Chaves and Ron DeJesus, among others. In addition, Terk has trained with The City Ballet of San Diego and River North Chicago Dance Company. Terk previously danced with the Eisenhower Dance Ensemble.

Mr. Waters joined Complexions in 2010.

Joffrey Experience Instructor

Jillian Davis

Jillian Davis is from rural roots in Kutztown, PA, where her parents placed her in dance classes starting at age 3. Discovering a love of ballet immediately and being recognized for her talent at an early age, teachers and mentors lead her to more serious ballet training.  Jillian was lucky enough to study at some of the countries most prestigious ballet schools, including Pacific Northwest Ballet, Alonzo Kind LINES Ballet, School of American Ballet, and San Francisco Ballet.  After Jillian expressed her continued interest in choreography while dancing in San Francisco, director Frederick Gaudette, whom she was working with, asked her to create a piece on a member of his company.  Fluid Interference was premiered in August 2012, establishing Jillian’s unique style and showing how she works directly with the music.  After her choreographic premiere, Jillian was asked to create a piece at her former studio, Princeton Dance and Theater Studio, for a talented student competing in YAGP.  She was also asked to be a guest artist and choreographer at Missouri Valley College for the 2013-2014 school year. City Living (remix) was shown at the school’s spring performance February 2014.  Jillian decided to start Jillian Davis Dance Project (JDDP) when she was selected as a finalist at Rider University’s Emerging Choreographers Competition, where she presented her newest ensemble work, Tiel.  While continuing her professional dance career, Jillian aims to continue creating new works and also allow dancers interested in their own choreography to explore their thoughts and possibilities. Jillian joined Complexions Contemporary Ballet 2014.

Joffrey Experience Instructor

Greg Blackmon

Gregory Blackmon, from Gary, IN, began his formal dance training in 2007 at Emerson School for the Visual and Performing Arts (while majoring in vocal music) and South Shore Dance Alliance under the direction of Larry Brewer.  He attended Deeply Rooted Dance Theater’s summer 2008 intensive and the following year was accepted into the Ailey School’s summer intensive. Greg trained in the Ailey School’s Independent Study and Fellowship Programs and was a member of the Student Performance Group. After leaving the Ailey School, Greg received a full scholarship to the Dance Theater of Harlem school and an apprenticeship with the DTH Ensemble.  During his time in NYC, Greg was a member of Dance Iquail! and Opus Dance Theatre, Inc. and had the opportunity to work with world-renowned choreographers Sidra Bell, Camille A. Brown, Robert Garland, Christopher Huggins, Darrell Grand Moultrie, and Pedro Ruiz.. In 2011 he joined Eisenhower Dance Ensemble in Michigan where he performed works by Laurie Eisenhower, Joel Hall, and Harrison McEldowney as well as danced in the Detroit Opera House’s productions of Carmina Burana andThe Pearl Fishers. Greg joined DanceWorks Chicago in September 2012 and is now a member of Complexions Contemporary Ballet.

Joffrey Experience Instructor

Levi Marsman

Levi Philip Marsman is currently in his third year as Choreographer in Residence at the Alexander W. Dreyfoos School for the Arts (Florida). He is a Boston, Massachusetts native and his extensive training includes Boston Arts Academy, OrigiNation Cultural Arts Center, and Jeanette Neill Dance Studio as a scholarship recipient in their Boston Youth Moves Program. A graduate from the Walnut Hill School of the Arts (Ballet), Levi continued his formal training as a fellowship student at The Ailey School. He received his B.F.A. from Fordham University under the direction of Ana Marie Forsythe and the late Denise Jefferson, which lead to his formal invitation to join Ailey II by former director, Sylvia Waters.

Levi’s other performance invitations include Radio City Christmas Spectacular (New York), Movement Dance Company (Jamaica), OrigiNation (Boston), Lula Washington Dance Theatre (Los Angeles), Reed Dance (Pittsburgh) and PHILADANCO! The Philadelphia Dance Company (Philadelphia).

Under the direction of Christopher L. Huggins, Levi has helped set works for companies nationally and internationally such as Alvin Ailey American Dance Theater, Dance Theatre of Harlem, Cape Dance Company (South Africa), and Movements Dance Company (Jamaica). He has also set works with Mr. Huggins at acclaimed arts schools across the country such as Duke Ellington School for the Arts, Douglas Anderson School for the Arts, the Ailey School and the Juilliard School. Levi co-choreographed The Rite of Spring which was a collaborative piece with Mr. Huggins and piano duo Anderson & Roe. As an assistant choreographer his premiers include The Big Bang! for PHILADANCO! (2013), His Grace (2014) and Furtherance (2016) both for Dallas Black Dance Theatre.

Levi’s choreographic work has graced many institutions including the Walnut Hill School for the Arts, Sharron Miller Academy for the Performing Arts, Alexander W. Dreyfoos School for the Arts, Marygrove College’s Institute of Music and Dance (Festival of Dance), Renaissance High School, Boston Youth Moves at Jeannette Neill Dance Studio and The Ailey School. His commissioned work includes Bitter for Reed Dance in Pittsburgh, The Rite of Spring for the Chamber Music Society of Palm Beach, Voices for the Walnut Hill School for the Arts, Power for the Ailey Student Performance Group and most recently Runaway for Ballet Ecclectica at Center of Creative Arts (COCA) in St. Louis.

Levi Marsman’s awards include Contemporary Dance Silver Medalist of the 4th Seoul International Dance Competition, 2007 Young Professionals Awardee—Martha Hill Dance Fund and Best Performance at the 10th Annual Oakland Dance Festival in Michigan for his ballet, ’Round and ’Round We Go.

Joffrey Experience Instructor

Addison Ector

Addison Ector began his dance training at the Debbie Allen Dance Academy at age 13. After high school, he was accepted into the Scholarship Program at The Ailey School where he was the recipient of the Alvin Ailey Scholarship after 3 years. He also attended the Jacob’s Pillow Contemporary Program in 2012 and performed with Germaul Barnes/ Viewsic Expressions Dance.  He then went on to apprentice with Complexions Contemporary Ballet. Mr. Ector’s pristine, elegant, refined sculptural lines have caught the attention of many photographers wanting to photograph his lithe physic. Mr. Addison joined Complexions Contemporary Dance Company in 2013.

Joffrey Experience Instructor

Young-Sil Kim

Young-sil Kim was born in Okayama City, Japan. She began her ballet training at Sugimoto Sonoko Ballet with Sonoko Sugimoto and Svetlana Assaouliak.

At age 18 Young-sil moved to NYC to study dance at the Joffrey Ballet School and later at Ellison Ballet professional training program, where she graduated in 2008. She has danced with Configuration Dance Theatre, Eglevsky Ballet, Connecticut Ballet Company, Ballet Hispanico II and Peridance Contemporary Dane Copmany. She has had the opportunity to perform works by choreographers including Susan Jaffe, Sidra Bell, Enzo Celli, Igal Peri, Jiri Kylian, William Forsythe and Dwight Rhoden. She has studied summers at Walnut Hill, Houston Ballet, Hubbard Street Dance Chicago, Springboard Montreal and Complexions.

Ms. Kim joined Complexions in 2013.

Joffrey Experience Instructor

Shelly Hutchinson

Shelly Hutchinson is a choreographer, instructor, dancer, actress and producer in New York City. She has been a Contemporary and Musical Theater choreographer for “So You Think You Can Dance” Ukraine for the last four seasons, also on the creative teams and performed in operas such as Candide, Samson and Delilah, and Aida as associate choreographer and assistant director. Choreographer for adapted for stage version of Disney’s High School Musical. TV appearances include MTV, CBS Morning Show, ABC, Saturday Night Live, Law & Order, Lipstick Jungle, Ugly Betty, Kings, HBO Miniseries “Mildred Pierce”, The Today Show, David Letterman, The Learning Channel, dancer for Wyclef Jean and in Lou Bega’s “Mambo #5”. Performing credits include Radio City Music Hall, Warner Brothers Films, Disney, Off- Broadway and Regional Theatre, Broadway Bares, International Arts Festival in Italy, Care Wave Japan, National and European Tours including “Fame, the Musical”, Bye Bye Birdie, Irene, and West Side Story, assistant choreographer for “Falco”, a multi- media show in Vienna, Austria based on the late 80’s pop star.

Her work has recently been seen at City Center, Merce Cunningham, Manhattan Movement Arts Center, and Salvatore Capezio Theater. With 17 years of deep and diverse teaching experience with all levels and ages, she has taught at various studios in the US, Germany, Italy, Austria, Prague, Argentina, Japan, Costa Rica, Cirque Du Soleil, Broadway Dance Center, Steps on Broadway, Joffrey Ballet School and Peridance in New York. Shelly continues to travel around the country for master classes, choreography, and private instruction.

She is on faculty at Broadway Dance Center and Peridance Capezio Center, and currently producing a series of concerts entitled “New York Moves” to benefit various charities. Also the Director of UNCOVERED CHOREOGRAPHY WORKSHOPS, a series of intensives based in New York City to help young dancers find their identities as choreographers.

Joffrey Experience Instructor

Clifford Williams

Clifford Williams began his dance training at F.H. LaGuardia High School of Art and the Performing Arts. He attended The Ailey School and The School of American Ballet, both on scholarship. He was a first-level recipient of a National Foundation for Advancement in the Arts award in 1998. In 1998, he attended The Juilliard School, where he danced works by many choreographers including Lar Lubovitch, Igal Perry Hans Van Manen, Jose Limon and Mauricio Wainrot. In 2001, he was invited to join Dance Theatre of Harlem, where he danced until 2003. In 2004, Mr. Williams joined Complexions Contemporary Ballet (New York, NY). He has danced works by Dwight Rhoden, William Forsythe, Nicolo Fonte and Jae Man Joo. Since 2004, Mr. Williams has assisted Director/Choreographer Dwight Rhoden on numerous projects including ballets for North Carolina Dance Theater, Pittsburgh Ballet, Aspen Santa Fe Ballet , The Diana Vishneva Project, Ballet San Jose, Israel Ballet , Teatro Dell’Opera Di Roma as well as for the television show “So You Think You Can Dance.” He has also set Dwight Rhoden’s works on schools such as The Ailey School/Fordam University , Boston Conservatory , Harvard University Marymount University and NYU Tisch School for the Arts. In addition to setting works for Dwight Rhoden, Williams is certified in teaching “Nique” the official Contemporary Ballet technique of Complexions Contemporary Ballet; and continues to be a part of educational outreach for Complexions. In 2008, Mr. Williams left Complexions to dance as a Principal dancer with Compañia Nacional De Danza under the Direction of Nacho Duato. During that time, he danced many principal parts and was featured in creations by Mr. Duato. Mr Williams rejoined Complexions in 2009, where he danced as principal until 2012 before being appointed to artist in residence. In 2014 Williams was featured in Debbie Allen’s “The Hot Chocolate Nutcracker” as the Title character which aired on BET Network. He is also part of cast of the 2016 Golden Globe Nominated Starz Network Mini-series “Flesh and Bone”.Williams is a 2015 Benois de la Danse Nominee .Most recently Mr. Williams performed as Meyer Wolfsheim in an international production of The Great Gatsby , Choreographed and Directed by Dwight Rhoden.

Joffrey Experience Instructor

Kelly Marsh

Kelly Marsh IV is a recent graduate of the University North Carolina School of the Arts with a BFA degree in Dance and a concentration in Ballet. Mr. Marsh IV started dancing at the age of 14 and took his studies in further by becoming a scholarship recipient at COCA then at The Ailey School as a fellowship student. Mr. Marsh has had the opportunity to perform work by many established choreographers such as William Forsyth, Dwight Rhoden, George Balanchine, Merce Cunningham, Eliot Feld, Ethan Stiefel, Sasan Jaffe and Darrell Grand Moultrie. Mr. Marsh joined Complexions in 2013.

Joffrey Experience Instrutors

The Lovelies

Often humorous, sometimes quirky and always honest, present and open, the Lovelies work to uncover, establish and conclude the present through discovery. Makers of dance and sound, sculptors of space and designers of time, the Lovelies push each other, question the possibilities, listen to the thing, and generally help, hinder, intersect, bypass, support, infiltrate, destroy and create pieces in the moment. The Lovelies seek to work collectively to establish an environment and work with everyone involved: dancers, musicians and audience members, to build a dance spontaneously. The Lovelies focus on making interesting decisions to build a dance and pay attention to where it will go, unveiling the concept of the work simultaneously. During the Joffrey Experience, The Lovelies will share their knowledge and work to honor collaboration through acute listening, memorable choice-making and appreciation for all in the space. The live musician and dancers will riff off of one another establishing that there is no clear one leader, but all are equal parts of the work, creating a work that unfolds in a genuine way. Showings will be held on both Fridays of the Experience at 3pm.

Joffrey Experience Instructor

Breton Tyner-Bryan

Breton Tyner-Bryan is an American born dancer, choreographer, actor and photographer, as well as a highly sought after teacher. She is the creator of and currently performing in Breton Follies, an evening length cabaret production featured in Dance Magazine October 2015. Film/Television credits include The Knick (Cinemax) Steven Soderbergh, Studio City   (VICE Media) Meredith Danluck, Manhattan Love Story (ABC) Celia Rowlson-Hall, Second Wind Sarah Choi, TEST (Feature Film), Chris   Mason Johnson, and PICO John Sanborn. Theater credits include Dorothy Parker, How to Drink like a Lady Hattie Mae Williams, Greta in her own production of Un Tanguito Cualquiera. and numerous roles she has choreographed/performed in for McKittrick Follies of Sleep No More.

Concert Dance credits include works by Marius Petipa, Kirk Peterson, Alonzo King, Robert Moses, Pontus Liedberg, Norbert De La Cruz III, Francesca Harper, Kathryn Luckstone, Enzo Celli, many dance theater companies, Hartford Ballet, and Utah Ballet. She holds a BFA in Ballet Performance from the University of Utah and received her training at the School of the Hartford Ballet. By invitation she has studied with Bill T. Jones/Arnie Zane Dance Company, Australian Dance Theatre and Sydney Dance Company.

Breton is on faculty at New York University, Broadway Dance Center, Peridance, Sleep No More, Ballet Hispanico, Joffrey Ballet School, and Sidra Bell Dance. She has taught for The Place (London), Dance Base Scotland, San Francisco State University, ODC Dance, LINES Ballet, Mark Morris Dance Center, Complexions Contemporary Ballet, Fall For Dance Festival, Columbia Ballet Collaborative, The Edge, and Google.

Choreographic credits include Sonas Denim Commercial, Jewels in the Square presented by Alonzo King LINES Ballet, Brigham Young University, SELF, and Woodside Vaulters Equestrian international competitions. As a performer and choreographer her work has been featured in Pointe Magazine, Dance Informa Magazine, Broadway World, Oberon’s Grove, Huffington Post, and the New York Times

As a photographer her work has been used by many dance companies appearing regularly in Broadwayworld.com, Headlands Center for Dance, San Francisco Chronicle, Bay Area Guardian, and San Jose Mercury News. Breton has exhibited her work at Dance Mission, Fivepoints Art House, the San Francisco Dance Film Festival, and as a featured artist at the Goethe Institute San Francisco. She is currently photographing for dance and theater in New York City.

Joffrey West LA Instructor

Jon Ole Olstad

Also a Joffrey San Francisco and Joffrey Experience Instructor.

Jon Ole Olstad started dancing at the age of 16 and took his first ballet class when auditioning for a high school dance department. He quickly realized dancing was his big passion and that he would do anything to make his dream of becoming a professional dancer come true. Later he was accepted into the National Academy of the Arts in Oslo, and graduated with a bachelor degree in 2009. After college he was hired for the tour project “Kamuyot”, a collaboration between the Swedish Riksteatern and Batsheva Dance Company led by artistic director Ohad Naharin. During this time he participated in daily ‘gaga’ class, the training form they use in Batsheva Dance Company, and developed a great love and respect for this work. In 2010 Jon Ole formed the choreographic duo “Ruth n ´Walter” together with Caroline Skjoershammer. Their first duet “Epilogue” got invited to the Cross Connection Choreography Competition and in 2012 they created “Dear, its time to turn the lights off”, which was performed in different festivals and venues. In 2013, Jon Ole was hired by Nederlands Dans Theater 1, led by artistic director Paul Lightfoot. He has worked with choreographers such as Paul Lighfoot and Sol Leon, Johan Inger, Hofesh Shechter, Marco Goecke, Alexander Ekman, Jiri Kylian, Mehdi Walerski and Crystal Pite. He started teaching in 2009 and has a huge passion for sharing knowledge and the love of dance. He has taught at numerous colleges and studios across Norway, as well as in Los Angeles and New York City. Class description; “In my class I want each and every one of the students to discover something new about themselves, both physically and mentally. To be able to step outside the box but at the same time gain the knowledge of being inside the box with your center and technique. The class focuses on expanding your limits, reaching further as a dancer, breaking habits and a personal investigation to take your dancing to a completely different landscape. I encourage a balance between doing the steps that are given to you, but at the same time letting who you are as a dancer and person color the movements.” – Jon Ole Olstad.